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Category: concept

Categories conceptIssuesOpinionTools for Composers

Hope

Author DanLisMusic Posted on Posted on July 28, 2018September 29, 2018
0

I’m a terrible activist. I make art instead. Perhaps that is the best way for me to make an impact.

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Categories AnalysisconceptFormOpinionTools for Composers

Stylistic Pluralism Within a Composition

Author DanLisMusic Posted on Posted on May 16, 2018
1

An investigation into what stylistic pluralism is in music.

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Categories AnalysisconceptFormInstrumentationTools for Composers

Ryan Carraher – “Alazia” Self-Analysis

Author ryancarraher Posted on Posted on January 3, 2018
0

Ryan Carraher just finished a new work for solo tenor trombone entitled Alazia. “I figured I would share some thoughts and formal processes I had during the composition process.”

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Categories AnalysisconceptFormHarmonyInstrumentationListen to thisMelodyNotation/EngravingOrchestrationPedagogyScore CallsTheorytimbreTools for Composers

P.M. Joyce – FairyTale

Author DanLisMusic Posted on Posted on October 19, 2017
0

P.M. Joyce’s work “Fairytale” is a well-polished work that would work well in a film score.

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Categories AnalysisconceptFormHarmonyIssuesListen to thisMelodyOpinionPsychology of MusicReviewsRhythmTheorytimbreTools for Composers

Timothy Lee Miller – “Divinitus”

Author DanLisMusic Posted on Posted on October 6, 2017
0

Firmly rooted in the American Mavericks tradition, this work fuses hymns with polytonality and misalignment, a la Charles Ives.

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Categories AnalysisconceptFormInstrumentationListen to thisMelodyNotation/EngravingOpinionOrchestrationReviewsRhythmtextureTools for Composers

Reilly Spitzfaden – Resonances

Author DanLisMusic Posted on Posted on September 23, 2017
0

Reilly Spitzfaden’s work Resonances is an interesting exploration of instrumental tone and gesture, a cat-and-mouse game of imitation.

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Categories AnalysisconceptHarmonyInstrumentationReviewsRhythmtextureTheorytimbreTools for Composers

Mitch Weakley – Keys, Strings, Clothespins

Author DanLisMusic Posted on Posted on September 5, 2017
0

Mitch Weakley’s piece “Keys, Strings, Clothespins” investigates a C pentatonic scale with a flattened sixth step (Ab) through the lens of a prepared piano, and its consequent timbres.

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