Piano music depends on how you hit the keys; Organ music depends on how you let go of them.
Ryan Carraher just finished a new work for solo tenor trombone entitled Alazia. "I figured I would share some thoughts and formal processes I had during the composition process."
I wanted to provide this score so we can evaluate the areas that need engraving. Here is a laundry list of things that need to be changed. You can go through the score and see how chaotic things are pre-engraving, and how much work needs to be done to make the music playable.
Reilly Spitzfaden's work Resonances is an interesting exploration of instrumental tone and gesture, a cat-and-mouse game of imitation.
Mitch Weakley's piece "Keys, Strings, Clothespins" investigates a C pentatonic scale with a flattened sixth step (Ab) through the lens of a prepared piano, and its consequent timbres.
Frustrated with the built-in sounds of Logic X and the direct-in from my amp into my interface, I needed better sound quality, more tones, and much more versatility. The Zoom G1Xon does not disappoint.