"Lost in the space" by Manuel Zito is a simple, but charming work for piano that features an ostinato that is (by nature) repetitive, but not in the boring way by any means.
For a great blend of classic rock, alternative, and hard rock, take "I Don't Mind" by the Julian Frampton Band for spin.
Music Within's tune "Weightless" is a gentle, subtle tune that lulls the listener into a state of relaxation and stillness.
"The Long Twilight Struggle" by The Transversals is a powerful rock/electronic track that features striking quotes from JFK in the form of found sound.
"Anthem" by O Mer blends soul, electronica, and Middle-Eastern music to create a beautiful, personal, and politically charged memo to us all: don't put people, or music, in boxes.
For a retro, bluesy, and soulful tune, check out "This Time Around" by Colour Picture Book.
TIMI TEMPLE's flippant tune "2pm For Breakfast" is a delightful song about waking up in the afternoon and not giving a f*** about it.
Don't be fooled--the dark, synthetic texture at the beginning of AEONN's composition "Celestial I" is just the beginning of the rich timbres to come.
The fusion of jazz saxophone with electronics and synthetic percussion is the driving force behind Axel Rigaud's tune "New Land".
"Overexposed" by The Golden Leaves is a punchy track that features a grooving, dark sound.
With rich and yet angular chords, and vocals that can really cut through a mix without being shrill, Ollie Thorpe's track "All A Waste" is emotive and fluid.
Elijah Bisbee's composition "Night" is a serene picture of the night landscape that many of us have stared fondly at.
Maximé's track "De Droom" is an expansive, floating voyage through time and space.
UN.a's work "Industria" is a mesmerizing amalgam of sound sources, drawing from diverse pools of jazz, classical, contemporary avant-garde electronic music, spoken word, and dance music.
"Boston" by Restless Electric is a loosely unified and invigorating tune, resulting in something akin to a wild, uninhibited dance of joy.
FINN's release "Godsend" is a grooving tune that rides a fluid bassline in a cascade of polyrhythms.
Alessandro Paganelli's work "Nebula" is a floating, atmospheric tune that is not an overdone film score--rather, it has moments of true delicacy, intimacy, and poise.
Maximilien's work "Please Stay" builds a powerful drive on an arpeggio, leading to a period of calm in the middle and ending with a cascade of sound. The result is idiosyncratic but marvelous.
For a new take on ambient music, PINES's "I've Been Waiting" takes a more active approach while retaining a certain chill or detachment from the musical material at hand.
JohnT's track Come Around is an infectious work that is ambient enough to be used as a background, but active enough to be danced to.