Matthew Kennedy’s “Until I Say ‘When'” is a breathtaking exposure of space, timbre, and mood, that is both playful and hypnotic.
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John Wiggins – String II
“STRING II was made with “real” sounds – sounds that I recorded both in my studio and in the field. I used only the oddest bits of these recordings to go ahead and represent something else. Something that EVERYONE hears differently – its interpretation is up for grabs. I feel that’s important.”
Read MoreDiogo Carvalho – “Reveal” for Guitar and Tape
There are times when musical notation simply does not suffice to both technically manifest, nor artistically describe, the music that is heard. This is the case with Diogo Carvalho’s piece Reveal.
Read MoreDoes it have to matter? Finding meaning in art
In this blog, I have repeatedly asked the questions “what does this mean?”, “what is the point?”, and “what can we learn from this?” In truth, sometimes nothing means anything, there is no point, and we can’t learn from anything. While these are philosophical points that have their own arguments, I would like to discuss […]
Read MoreDavid T. Bridges – This Fragmented Old Man
David T. Bridges’s work This Fragmented Old Man fuses the energy of Elliott Carter, the rhythmic drive of Bela Bartok, and the harmonic fluidity of Igor Stravinsky to create an energetic, wild, slightly senile, and charming work based on the children’s counting song “This Old Man”
Read MoreBrianna Drevlow – David’s Run
Brianna Drevlow’s piece “David’s Run” is a soundscape-turned-nightmare, depicting a recurring dream she has: “Named after the Operation Lifesaver film I watched as a young child about train safety, “David’s Run” depicts a recurring nightmare I experience where I am being hit by a slow moving train, but I wake up before impact. This piece […]
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