As part of the music notation software survey, I collected comments from 48 Finale users and 74 Sibelius users.
I’m a terrible activist. I make art instead. Perhaps that is the best way for me to make an impact.
An investigation into what stylistic pluralism is in music.
Creativity is not a gift that is given to you; it is a gift that you get for yourself.
I have admittedly been lazy recently. This is super unusual for me.
Music notation software survey - please take a few minutes to fill it out!
Why is the music of the 20th century (and beyond) so loved, hated, and controversial?
How does one deal with interruptions? We need to get our work in. We still have our own deadlines. And we do need to interrupt others, too, because that is how life happens.
We will all be forgotten long after we pass. And that is precisely why you have every reason to live the life that will make you the most fulfilled.
Cullyn D. Murphy's "Agony" is a riveting, fast-paced work that fuses spoken word, percussion, mixed media, and theatrical elements to push the idea of what musical organization is, and what music is.
As a composer and an arts administrator, I work by hand on both musical scores and countless documents at the office. Over the years, I have come to rely on certain pens.
Here is a look at some tools I am currently using as part of my "audio toolbox", and some tools I am looking at myself.
I write a lot about technology here. But there is no technology more important to a composer than paper. Whether one uses pen or pencil, the use of paper is integral to one's development as a beginning composer and as an advanced one.
As one progresses, one becomes more and more specialized. Coursework selection, private study, extra studies outside of the university, thesis and dissertation all hone one to become less diversified, and more specialized.
One work that has really helped me recently is a text about Buddhism, but if you remove the Buddhist front it really is a text about being in the moment, regardless of your belief system.
I have continued to expand my fluency with Dorico. I have been focusing on familiarity with Write Mode over the past week or so, by composing a set of 3 preludes for piano.
It is invigorating to both think quickly, and to use that to accomplish tasks. However, having racing thoughts is much different than thinking quickly.
In this post, I aim to tackle a feeling of powerlessness we feel as musicians, as a metaphor or mirror to anyone who feels powerless.
You can apply mindfulness to all aspects of being a musician. However, the goal is not to become a virtuoso in music through mindfulness.
Paul Brennan's piece "Swinging on the Playground" is a light, lively, rag-time-inspired work for solo piano.