Kyle Grimm – Pitchforks and Crow’s Feet


Kyle Grimm's music spans the gamut of media and instrumentation.  A double bassist and dance collaborator, he also has experience working with ensembles and other performers.  This is evident in his work "Pitchforks and Crow's Feet". The score can be found here: Pitchforks and Crow's Feet for Flute, Cello, and Bass. This work relies heavily... Continue Reading →

Gísli Magnússon – Svartifoss


It seems more and more that Iceland is becoming a haven for new music and new sounds in Hartford, CT.  From the influence of Bjork to the Hartt School's international collaborations, the music of Iceland is seeping deeper into the Hartford area.  Gísli Magnússon's piece Svartifoss depicts a waterfall in his native Iceland, and is... Continue Reading →

Aaron Mencher -“Uncertainly Yours”


Composer Aaron Mencher's work "Uncertainly Yours" is a very cohesive work that relies on intervallic tightness, but is extremely fluid and athematic.  Please download his score to follow along with this analysis. Here is the audio: The piece begins with the unifying interval that holds this piece tightly together, despite its arhythmicism and themelessness.  The... Continue Reading →

Proportional Notation (Tool #59)


One trap that is easy to fall into as a composer is the rigidity of rhythm, meter, and barlines.  While these are good tools to use when constructing a piece, sometimes a true sense of line requires that you write music that is free from strict rhythm, meter, and barlines.  This allows your music to... Continue Reading →

Meaning in Mahler Symphony No. 1 (Part 2)


(Chart referenced in this post) Compositional History of Symphony No. 1 Most sources agree that Mahler wrote the majority of this symphony between January 20, 1888 and the end of March that year.[1] At this time, Mahler was a proponent of creating music based on building blocks—arranging and rearranging structures (especially pre-existing ones) to create... Continue Reading →

Meaning in Mahler Symphony No. 1 (Part 1)


(Chart referenced in this post) Introduction Gustav Mahler is recognized as one of the greatest composers for the symphony orchestra, taking command of that medium during the late 19th and early 20th centuries. His remarkable talent for orchestration and his innovative approach to form make his music inextricably linked to the development of orchestral composition... Continue Reading →

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