Categories IssuesOpinionTechnology

Acoustic & Digital Differences 1

Some have said that the difference between listening to digital and acoustic instruments is the same as the difference between the taste of water and wine.

Read More
Categories Listen to thisOpinionReviews

ALMANACS – “Phantoms in our neighborhood”

“Phantoms in our neighborhood” by ALMANACS is a scintillating cascade of high harmonics, underlying noise, and string textures that evolves and warps over time.

Read More
Categories Listen to thisOpinionReviews

Forlorn Elm – “The Crucible”

Forlorn Elm’s “The Crucible” is a very alive, rhythmic jazz-rock-fusion tune that not only shakes one up rhythmically, but really sings.

Read More
Categories AnalysisIssuesOpinionPsychology of MusicReviewsScore CallsTheorytimbreTools for Composers

Chad Powers – A Blade Within

Chad Powers’s work “A Blade Within” has simple program notes: “A Blade Within is constructed with raw, as well as manipulated sound sources. Before the work was composed electronically I notated it on paper. In a meta fashion, I used the recorded pencil and paper sound files to act as a catalyst to drive the […]

Read More
Categories AnalysisconceptFormPsychology of MusicReviewsTechnologyTheorytimbreTools for Composers

Brianna Drevlow – David’s Run

Brianna Drevlow’s piece “David’s Run” is a soundscape-turned-nightmare, depicting a recurring dream she has: “Named after the Operation Lifesaver film I watched as a young child about train safety, “David’s Run” depicts a recurring nightmare I experience where I am being hit by a slow moving train, but I wake up before impact. This piece […]

Read More