Some have said that the difference between listening to digital and acoustic instruments is the same as the difference between the taste of water and wine.
Read MoreAcoustic & Digital Differences 1

a blog for the composers and audiences of today's music.
Some have said that the difference between listening to digital and acoustic instruments is the same as the difference between the taste of water and wine.
Read More“Phantoms in our neighborhood” by ALMANACS is a scintillating cascade of high harmonics, underlying noise, and string textures that evolves and warps over time.
Read MoreForlorn Elm’s “The Crucible” is a very alive, rhythmic jazz-rock-fusion tune that not only shakes one up rhythmically, but really sings.
Read MoreHere is a look at some tools I am currently using as part of my “audio toolbox”, and some tools I am looking at myself.
Read MoreChad Powers’s work “A Blade Within” has simple program notes: “A Blade Within is constructed with raw, as well as manipulated sound sources. Before the work was composed electronically I notated it on paper. In a meta fashion, I used the recorded pencil and paper sound files to act as a catalyst to drive the […]
Read MoreBrianna Drevlow’s piece “David’s Run” is a soundscape-turned-nightmare, depicting a recurring dream she has: “Named after the Operation Lifesaver film I watched as a young child about train safety, “David’s Run” depicts a recurring nightmare I experience where I am being hit by a slow moving train, but I wake up before impact. This piece […]
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