The term “stereo” refers to “stereophonic sound”. From Wikipedia: The term stereophonic sound or, more commonly, stereo, refers to any method of sound reproduction in which an attempt is made to create an illusion of directionality and audible perspective. (http://en.wikipedia.org/wiki/Stereophonic_sound) Humans prefer to know where the sound is coming from, and all good mixes can […]
Read MoreMonth: March 2012
Tool #28: Collaboration Webpages
I’d like to share a tool I’ve developed that’s useful for collaboration. If you have a website (and this would even work on a blog such as one hosted on WordPress), use that webspace to devote an entire page to a collaboration. What this entails: Create a webpage and send a link to it to […]
Read MoreDon’t Push Kids to the Limit
There is one thing that has been irking me as I observe music teachers at my job, and especially as a person who has anxiety issues: teachers and parents need to stop pushing kids to the limit. It’s good to push kids, to direct and shape their growth, but those in the teaching and parenting […]
Read MoreWhat makes “good” music? Two basic criteria for judging.
What makes “good” music? I see composer websites of people who write what I think is “not so good” music where they list multitudes of grants, fellowships, and studies at educational heavy-hitters. Does this make their music “good”? I don’t think so. I listen to music that is highly academicized to the point of being […]
Read MoreWriting for the voice is a different animal… it’s okay to fall at first!
We’re taught massive amounts of harmonic, melodic, structural/formal, conceptual, historical, and orchestrational material in any type of compositional training, whether it’s in lessons or on the whole in the conservatory. Most of us play at least one instrument, and most of us understand music theory like it’s our native tongue. But, we’re not confronted with […]
Read MoreTool #27: Finding a Good Workflow
I recently started a project where I’m getting paid (roughly) by the hour for composing. I have therefore started keeping a log of my composing time, and it has really helped me scrutinize my composing workflow and habits. I have sharpened my view on how I compose–how I plan, sketch, write, revise, etc.–by doing this […]
Read MoreTool #26: 10 Finale Keyboard Commands You Should Know
I’d like to devote this post to a basic topic: 10 basic keyboard commands in Finale that I find essential. Whether it’s composing fast or making engraving your scores easier, these are some of the commands that are second nature to me because I constantly use most of them. I’m a big advocate for keyboard […]
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Album now available on Bandcamp