Forlorn Elm’s “The Crucible” is a very alive, rhythmic jazz-rock-fusion tune that not only shakes one up rhythmically, but really sings.
Read MoreForlorn Elm – “The Crucible”
a blog for the composers and audiences of today's music.
Forlorn Elm’s “The Crucible” is a very alive, rhythmic jazz-rock-fusion tune that not only shakes one up rhythmically, but really sings.
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With a sense of space and improvisatory tone a la Pat Metheny giving way to a beautiful, luscious vocal mix, “Gaia (feat. Rama Duke)” by narducci is a wonderfully colorful piece.
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Xander Naylor’s tune “Ghost Logic” blends a quirky Schoenberg-esque string section with the dramatic electronic flair of Frank Zappa, jazz drumming, howling voices, and searing electric guitar.
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Des Reid’s work “Prelude” is a kaleidoscopic, picturesque view of a starry night portrayed through a classic-rock-like chord progression, a deep indebtedness to jazz, and a developed sense of musical spaciousness.
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Celebrating self-expression in Hip Hop culture, “Skeme Goes All City” takes us to the roots of modern American music while bringing us a to-date account of the state of creativity. Enjoy.
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The fusion of jazz saxophone with electronics and synthetic percussion is the driving force behind Axel Rigaud’s tune “New Land”.
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UN.a’s work “Industria” is a mesmerizing amalgam of sound sources, drawing from diverse pools of jazz, classical, contemporary avant-garde electronic music, spoken word, and dance music.
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